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The Sheik. Pépé le Moko. Casablanca. Aladdin. Some of the most popular and frequently discussed titles in movie history are imbued with orientalism, the politically-charged way in which western artists have represented gender, race, and ethnicity in the cultures of North Africa and Asia. This is the first anthology to address and highlight orientalism in film from pre-cinema fascinations with Egyptian culture through the "Whole New World" of Aladdin. Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism. Other films discussed includeThe Letter, Caesar and Cleopatra, Lawrence of Arabia, Indochine, and several films of France's cinéma colonial.
- Sales Rank: #1771265 in Books
- Brand: Brand: Rutgers University Press
- Published on: 1997-01-01
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .77" w x 5.98" l, 1.22 pounds
- Binding: Paperback
- 344 pages
- Used Book in Good Condition
Most helpful customer reviews
0 of 0 people found the following review helpful.
Orientalism in US cinema
By Aimee Brant
An excellent collection of historical appraisals of Orientalism in US cinema from the 20's on. Some essays, like much literary crit., are over-written, prolix I think is the word. No surprise. Entertaining and worth it.
6 of 10 people found the following review helpful.
Bias Unveiled
By Maya Long
Visions of the East explores mass media biases and prejudices towards the Arab. It's an easy, interesting read; it focuses on examples and backrounds as a means of illustrating the inherant reacism ("Arabism") in popular culture. Too often we don't realize the stereotypes being publicized are just that- stereotypes. Visions of the East reminds the reader to look deeper, to examine material before absorbing it. An excellent book for better understanding the rampant Eurocentrism in media and film and the reasons behind it.
0 of 2 people found the following review helpful.
Paperback edition
By Ipsaruinadocet
The paperback edition is a mediocre reprint, worse than a cheap photocopy; all illustrations are by far too dark, sometimes almost entirely black and desperately need some contrast - in most cases you can hardly tell whether they show a movie still or just a sausage. A heavily overpriced item! - The book was shipped in a simple paper envelope three times as large as the book, which was - not surprisingly - on all edges and corners heavily bumped.
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