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Featuring more than sixty groundbreaking short stories by modern science fiction's most important and influential writers, The Ascent of Wonder offers a definitive and incisive exploration of the SF genre's visionary core.
From Poe to Pohl, Wells to Wolfe, and Verne to Vinge, this hefty anthology fully charts the themes, trends, thoughts, and traditions that comprise the challenging yet rich literary form known as "hard SF."
- Sales Rank: #917407 in Books
- Published on: 1994-06-15
- Original language: English
- Number of items: 1
- Dimensions: 9.44" h x 2.31" w x 6.48" l,
- Binding: Hardcover
- 992 pages
From Publishers Weekly
This massive tome contains some of the good, the bad and the ugly stories that have helped give "hard" science fiction its reputation as a refuge for writers more comfortable with a slide rule than with a pen. The collection starts off strongly enough, with Ursula K. Le Guin's "Nine Lives," a lovely story about cloning, and it doesn't get into real trouble until it reaches Hal Clement's "Proof," which is a textbook case of the maxim proposed by Gregory Benford in his introduction, that "hard SF focuses on minimally characterized figures acting against a landscape of universal, scientific truths." The anthology then bounces through mostly lesser stories by luminaries of the field (Asimov, Heinlein, Clarke, Wolfe, Dick), several pieces by SF's pioneers (Kipling, Wells, Poe, Verne), and a small number of landmark works like William Gibson's "Johnny Mnemonic" (the story credited with starting the cyberpunk movement). Impressive tales by J. G. Ballard, John M. Ford, Bruce Sterling, Donald M. Kingsbury and Kate Wilhelm improve matters considerably, but then the anthology closes, inexplicably, with Verner Vinge's dated "Bookworm, Run!" Though the book's title claims that "wonder" is in "the ascent" in hard science fiction, there's little sense of forward motion--perhaps because of the odd, nonchronological arrangement of work. While hard-core hard-SF fans will no doubt find plenty to excite them here, most readers are in for the ascent of ennui.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Hard sf is represented here from its origins with the likes of Hawthorne's "Rappacchini's Daughter" to J. G. Ballard's dour "Prima Belladona," a recasting of the original tale. Hartwell and Cramer shrewdly place each story; Edgar Allan Poe's "Descent into the Maelstrom," for instance, is the field's "founding document," and Hal Clement's "Proof" is proof that carefully worked out science, linked to the imaginative exploration of a single what-if, is what the field is all about. Even so, with writers such as Clement and Robert Heinlein at its philosophical heart, this anthology casts its net wide enough to include the best of the cyberpunkers, writers such as William Gibson and Bruce Sterling, as well as mavericks, such as Philip K. Dick, represented here with a mathematical tease called the "The Indefatigable Frog." A focused, disciplined collection brilliantly introduced by the editors and Gregory Benford; readers will be treated to the progression of the field and vastly entertained, too. John Mort
Review
"Hard SF is represented here from its origins with the likes of Hawthorne's 'Rappacchini's Daughter' to J. G. Ballard's dour 'Prima Belladona,' a recasting of the original tale. Hartwell and Cramer shrewdly place each story; Edgar Allan Poe's 'Descent into the Maelstrom,' for instance, is the field's 'founding document,' and Hal Clement's 'Proof' is proof that carefully worked out science, linked to the imaginative exploration of a single what-if, is what the field is all about. Even so, with writers such as Clement and Robert Heinlein at its philosophical heart, this anthology casts its net wide enough to include the best of the cyberpunkers, writers such as William Gibson and Bruce Sterling, as well as mavericks, such as Philip K. Dick, represented here with a mathematical tease called the 'The Indefatigable Frog.' A focused, disciplined collection brilliantly introduced by the editors and Gregory Benford; readers will be treated to the progression of the field and vastly entertained, too." --Booklist
Most helpful customer reviews
3 of 7 people found the following review helpful.
Semi-Hard Sort-of New Wave Science Fiction
By Harold M. Curtis
This is a massive and ambitious work. High quality and a lot for the money. I felt somewhat deceived by the title though. Many of the stories seem to define Hard Science Fiction by illustrating an exception to the rules. The editors seem to have gone out of their way to include nontypical examples and surprise us with authors that we didn't expect. H.G.Wells? OK. Rudyard Kipling? I don't think so. J.G.Ballard. Not really. At least, not MY definition. See my list: The Scientist/Engineer/Inventor Hero in Science Fiction
1 of 1 people found the following review helpful.
"Hard SF is About the Beauty of Truth"
By John M. Ford
David Hartwell and Kathryn Cramer are experienced science fiction anthologists, well-known for their annual "Year's Best SF" collections. In this themed anthology, they trace the development of "hard science fiction" through 1994. In three separate introductions by Gregory Benford, Cramer, and then Hartwell, this subgenre is defined and redefined. Fascinating stuff.
Then come the stories, sixty-seven of them. Each is introduced by a tightly-written, part-page description of the author's life, beliefs, and other written works. There are some very good stories here. I'll list five that I liked very much. Your top five may well be different.
Tom Godwin's "The Cold Equations" illustrates the danger of taking along just enough of everything--air, fuel, mass--on a space trip. There is always the unexpected.
Poul Anderson's "Kyrie" demonstrates how love can last forever--and we find this not the least bit comforting.
In James Blish's "Surface Tension" the main characters are marooned in an alien world and must overcome obstacles and opposition to build the ship that can rise above their world into the unknown. Will their ancient metal records help them or hold them back?
Arthur C. Clark takes "The Longest Science Fiction Story Ever Told" and strips it down to its essentials.
Isaac Asimov serves up perhaps the longest short-short science fiction story ever told as he slowly builds the tension while we wait for a supercomputer's answer to "The Last Question."
At nearly a thousand pages, this collection requires some serious reading commitment. If you like good science fiction, it's worth it. These stories are all worth reading and most bring the sense of wonder characteristic of good, imaginative writing. True to their hard SF tradition, the authors don't "fake" the science one bit more than is necessary.
15 of 16 people found the following review helpful.
The Definitive Hard Science Fiction Collection
By Terry Sunday
If you're a fan of hard science fiction, you need to own "The Ascent of Wonder: The Evolution of Hard SF." Period. Even if you have, as I do, a large collection of hardcover and paperback science fiction books that collectively contain many of the stories reprinted in this volume, you still need it.
As you might expect, many of the stories are from the "Golden Age" of the 1940's and `50's: you'll find classics such as Hal Clement's "Proof" (1942), James Blish's "Surface Tension" (1952) and Tom Godwin's haunting "The Cold Equations" (1954). Representing later years are such riveting tales as Theodore L. Thomas' "The Weather Man" (1962), Bob Shaw's "Light of Other Days" (1966) and Donald Kingsbury's "To Bring In the Steel" (1978). The 67 stories in "The Ascent of Wonder" make up a fantastic smorgasbord of the best hard science fiction of all time. But wait, there's more...there are three essays, totaling about 30 pages, on hard science fiction, written by editors David G. Hartwell and Kathryn Kramer and noted author Gregory Benford. Each story also contains a relatively short (half a page or so) but exceptionally insightful introduction. These alone make "The Ascent of Wonder" worth having.
With 990 pages of small, dense type, this volume is big and heavy. But even if you have to put an extra brace on your bookshelf to hold the weight, you should buy it. Quite simply, there is no better compilation of the imaginative, speculative, science-based stories that form the genre's "visionary core."
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