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Rosemary's Baby, by Ira Levin
Ebook Rosemary's Baby, by Ira Levin
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Rosemary's Baby
- Sales Rank: #467428 in Books
- Brand: Dell Publishing
- Published on: 1968
- Number of items: 1
- Binding: Mass Market Paperback
- 218 pages
- Great product!
Most helpful customer reviews
63 of 70 people found the following review helpful.
A Spooky Shocker Classic
By JLind555
Why am I giving this book 5 stars when the writing isn't especially great? Because Ira Levin hit every right note in "Rosemary's Baby" and made it into an instantaneous horror classic. On one level, it's a great horror story; on another, it's also a kind of morality play: God has a son; what happens when the devil gets jealous and wants one too?
Enter Rosemary and Guy Woodhouse, almost-newlyweds, new tenants in an old, luxury building called "The Bramford", famous for its high ceilings and working fireplaces, notorious for its unsavory happenings (dead baby wrapped in newspapers abandoned in the basement). They are warned off by Hutch, an old friend of Rosemary's who knows all about the building's sordid history, but disregard the omens.
Rosemary is a housewife (yes, back in the day there actually were such things) who wants to be a mother. Guy is an actor and a rising star whose talent is overshadowed only by his unlimited ambition. Next door are the Castevets, Minnie and Roman, a delightfully ditzy old couple who just happen to head a coven of witches who have made a pact with the devil. Rosemary wants a baby; Guy wants a leading part in a hit play; the witches want... well, all the ingredients are there for a devil's brew that sets the pot boiling wonderfully for 260 pages.
After a nightmarish impregnation, Rosemary goes through a hellacious pregnancy, presided over by Dr. Sapirstein, a famous "society" obstetrician who assures Rosemary that her pains will go away in a day or two. Hutch's death after a long, suspicious illness jolts Rosemary out of her cocoon of trusting ignorance, and here Levin builds the horror up ever so insidiously until it hits you like a sledgehammer. Rosemary discovers who her neighbors are; that they have drawn her husband into a diabolical plot, and when she runs to Dr. Sapirstein for protection, she finds out that he too is... well, if you can't trust your husband and your obstetrician, who can you trust? Rosemary is left alone to try to save her baby from what she fears is a plot against his life and safety, remembering that dead baby in the basement; there's a plot afoot, all right, but what it is, is something neither Rosemary or the reader could possibly imagine until they stare at it, literally and figuratively, in the eyes.
Levin is one terrific storyteller and he manages to time the action to coincide perfectly with the story line; Rosemary conceives, ironically, on the night of the Pope's visit to New York in early October, and the baby is born, fittingly, right after midnight, "exactly half the year around from you-know". Some readers have complained that the ending is lame after all the shock and horror, and they have a point, but it's fun to wonder, how else could Levin have ended this story? It's a perfect psychological horror fantasy, no blood, no gore, no things that go bump in the night, but just the ordinary neighbors next door that can and do raise all kinds of hell. It's a classic that has stood the test of time; after 35 years, it's still a great read.
Judy Lind
22 of 22 people found the following review helpful.
Masterpiece - Plain and Simple
By fynsworth@webtv.net
I have been on an Ira Levin marathon since reading the sequel to this book. So, I went back and read R's Baby after not having read it in thirty years. It is such an amazing book on so many levels it's hard to talk about. Everything, description, dialogue, characters, setting, and most of all plot, mesh seamlessly in one of the great reads of all time. If you've never read it you are in for a treat. As a side note, the film version by Roman Polanski is also a masterpiece. It is the best adaptation of book to film ever done. The reason for this is simple: It IS the book. Polanski didn't know he could change anything so 95% of the dialogue is taken verbatim from the book and the other five percent is paraphrased. It helps that Levin writes the best dialogue of anyone writing fiction today. But the more amazing thing is, that visual touches that I've been ascribing to Polanski all these years are ALSO right out of the book, as are several costume descriptions. Were it only that more movie adaptations were this faithful and we weren't subjected to baboon screenwriters' "fixing" of novels. For the clearest example of horrifying adaptation, one only need turn to Mr. Joe Estherhaz' adaptation of Ira Levin's Sliver
10 of 10 people found the following review helpful.
Spooky and Well-Crafted
By A Customer
Ira Levin's novel is utterly fascinating. For one, the best element is that the horror and suspense all come from seemingly normal, everyday things. A world where the bad guys are the quirky next door neighbors is a lot scarier than one where the ridiculous horned monsters are the bad guys. Two, his dialogue is sparkling. It's as if all of the characters are real flesh and blood, the way that they speak so realistically. Three, I found it very interesting that Levin approached writing it not by using big words and long, complicated descriptions. His sentances are short, precise, and sweet. It makes a nice "relaxing" read. Also, the movie adaption is one of the best films ever made and is brimming with excellent performances. Read it and see the movie. I totally agree with the reader who commented on the movie being the best adaption of a book to film.
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